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IN THE BREAD

(Excerpt) by Rosemary Herold

(BENNIE, the new Head of Production, sits at BERTRAM’s desk typing, low ponytail, pen behind her ear. BERTRAM and all employees wear exact replicas of BENNIE’s shirt now and sit at their desks, typing; some have even grown out their hair and also wear a low ponytail, pens behind their ears. BENNIE prints out an inventory.)

BENNIE

Banana—


(BERTRAM scoffs, hands her another pen; she signs it, smirks and hands it to BERTRAM who takes it to RUNNER, who gives him a piece of cake which he brings back to BENNIE. Her phone rings.) 


BENNIE

(Swipes frosting with a finger, answers) This is Abduction, Billie shrieking,— (Sucks finger) Go, I won’t gaunt a deport on employee 'paraphernalia,'—... Bet me sore Hanna Barbera cartoons. Diamond collection. (Hangs up) Buster, bet me a fork. 


(BERTRAM, still holding cake, pulls a coin out of his pocket and proceeds to flip beatenly. An alarmingly well-dressed man in Wayfarers throws the door open. His name is PENDENNIS.)


PENDENNIS

What is the meaning of kiss.


BENNIE

Pendennis. (Rises) I would’ve prone. (Begins lying face-down on carpet)


PENDENNIS

Have you the regency to sit on my face? 


BENNIE

(Getting up) Gladly. 


(PENDENNIS angrily grabs a piece of printer paper and draws a horrifying, smiling face on it while staring pointedly at Bennie. She puts it on her chair without breaking eye contact; they sit.)


BENNIE

Now: what can I do for you Pen.


PENDENNIS

(Twirling pen flirtatiously, leans on desk) I.. would ask for a banana, but as you can see (places it on his upper lip)... I already am one. (A beat. They burst out laughing. Bennie gingerly wipes away her smearing mascara.) Ahh Billie; it’s been too long. When did we ever shoot the ears off a mountain, Brian?!


BERTRAM

Uhhhh—


PENDENNIS

(Clapping him on the shoulder) Feels like yesterday. 


BENNIE

(Taking pen from behind her ear, licks it) I must ask about your.. (seductively) writhing habits, Mr. Menace. 


PENDENNIS

(Confidentially) Coincidentally,—(leaning in again) I raved at Venice a half an hour ago. While he was shoeing the fawn. (Nods towards Bertram.)


BENNIE

(Nods subtly in Bertram's direction, makes a note) And a great device it made, too. (Stands) Feed me. 


PENDENNIS

Only if you enlist. 


(BENNIE salutes. BERTRAM, still appalled, hands PEN the cake/fork, PEN feeds her.)


BENNIE

Excellent; now, what is the Head of Amounting doing at my doorstep this fine Wednesday morning?


PENDENNIS

We’re in the bread.


(All employees gasp. Bennie considers.)


BENNIE

(Ceremoniously) Let us eat: cake. 


(All applaud and whoop uproariously.)


PENDENNIS

Very good. I hope to be cavorting with you more in the near future, Miss Christie. (Bows slightly)


BENNIE

(Offers backside) Kiss me.


PENDENNIS

(Winks) You and everyone else, babe. 

(Exits. Bennie’s phone rings.)

Writing Samples: Text

PANCAKES OR WHAT... IS IN THE OVEN?

(Excerpt) by Rosemary Herold

(The top floor of a corporate office building: coarse, scorched carpet; a few cubicle walls lean at precarious angles, half-burned away. A fallen filing cabinet downstage of elevator doors R, nearly empty water cooler far DR. An overturned desk L, UL, UR, telephones on the floor and papers, sticky notes and staplers strewn about; several notices and posters hang by threads off the walls C and L; entrance to jammed elevator R.  Smashed knick-knacks, books, crumpled paper cups, etc. spilling out of overturned wastebaskets. There is a blackened mini-fridge DL, humming, next to tiny telescope. Man is asleep on fridge, curled up in a blanket. Woman sits on fallen filing cabinet, staring emptily at water cooler, holding paper cup. There is a small rubber duck on top of the water cooler. Both the Man and Woman look ghastly—scratched, sooty; dead inside. Man sits bolt upright.)


MAN

It wasn’t me.


WOMAN

(Long pause. Looks at him.) What?


MAN

What wasn't?

WOMAN
Wasn't what?


MAN 

(Nonplussed. Getting up) Where are my socks.—


WOMAN

(Mimicking him) On “Io or Ganymede..?”

MAN

(Scratching head, turning in circle) Have they gone to bed..??


WOMAN

Or have they gone to bed.


MAN

(Eyes wide) Or do they have beds..!


WOMAN

Or do the beds have them.


MAN

(Staring at her concernedly)

Thebe and Lysithea have not had beds since before the Velvet Revolution. You of all people should know that. (Of duck) What is this for?


WOMAN

Your diaphragm.


MAN

My diaphragm needs no assistance..


WOMAN

How would you know.


MAN

Io or Ganymede?


WOMAN

(Sighs) Io or Ganymede..


MAN

When they align—


MAN

Scylla and Charibdys.


WOMAN

(Beat) Nick of time. 


MAN

Tro-i-lus, Cressida. 


WOMAN

Walking the line—


MAN

Shall I compare thee—


WOMAN

A Gideon sign.


MAN

Leave it alone, and it's usually fine. 


WOMAN

Give me a reason—


MAN

Almost a rhyme,—


WOMAN

Flip for a dozen,—


MAN

Or turn on a dime,—


WOMAN

Flaying for keeps,—


MAN

As we're playing for time—


WOMAN

Unusual suspects—

MAN

The usual.. crime. (Snaps) Unfair. 


WOMAN

How so?!


MAN

The Duck was not refereeing to the best of his ability, as he has been feverish. 

(Woman pets duck protectively.)

Additionally, the altitudinous metriculation of your rhyme scheme was in simile unsound. There was no way the peach frosting could have made an appearance. (Woman continues petting duck. Long pause.) This prolonged diffidence shall prove antecedent. I am trying not to be resentful of him. (Wrests duck away from her and chucks it across the room.)


WOMAN

Why would you be resentful of him?


MAN

(Sensually, dark)

He has what I have long desired: (long beat) Death. (Walks to burn mark.) Have you scrubbed this drain with a toothbrush? 


WOMAN

(Introspectively) What do I have to say to that..!


MAN

My female and I have been grinning regularly. (Grins widely, showing teeth.)

WOMAN

(Bristling) I don’t have a toothbrush.

MAN

It may not be fair, but it is slapping,..!(Swings an elbow and high-fives her. Skips to duck. Stares down at it.) I am in need of assistance. 


WOMAN

(Turns her back to him.)


MAN

I am in need of assistance. 


WOMAN

What kind?


MAN

Culinary. (Beat) Will you provide me with culinary assistance?


WOMAN

(Sighs) All right. (Together they move back to duck, pick it up together, and 

place it on top of one of the overturned filing cabinets.) Is that all you need?


MAN

Yes. (Kneels down, rolls over, goes to sleep. Woman stares at him. 

Takes duck down and puts it in mini fridge.)


MAN

(Waking, slamming palms on ground)

Soundly, soundly,—


WOMAN

The envelopes hatched while you were asleep.

MAN

Wassal! (Slams fist on filing cabinet) I shall wine and dine your mother. 


WOMAN

(Frowns at audience.) I have a sad agenda. (Opens fridge door. Sticks her head inside.) Why does this lobster stink so bad.


MAN

(Explanatorily) He is where he was..! He swallowed an entire cauliflower.. (Man walks to her.) My elbow is simple. (Shows her)

(Woman is reluctantly distracted from searching fridge to look at his elbow. Man bends down and looks in fridge next to her. Takes duck out and raises it on high.)


MAN

(Illustriously) I have filled the universe with tempura. Take my bowling ball. (Gives her the duck and reopens fridge. Takes a big whiff; sighs. Falls asleep inside. Wakes shortly, with a light snort.) I been walking up the salamander for dayyyz. (Stretches, yawns)


WOMAN

You could've been fired..! 


MAN

My dad is a table made of snowy legs.


WOMAN

I smell your clothes in your absence.

(His eyes get wide in surprise and confusion.)

WOMAN

(Leans in, sensually) While you're wearing them.


(Man stands stiffly and walks to the opposite wall; stares at it for several seconds. Walks back to woman.) 

WOMAN

(Blankly) Can I help you?


MAN

(Sensually/dark, as before) What you could do for me, no law could require. 

(Man takes her by the shoulders.) I want you to tell me... what… is in the oven.

(Pregnant pause.)


WOMAN

(Weakly) ..ppanccakes.


MAN

(Dramatically, like an old movie.) I’ve never had: pan cakes. (They look like they’re about to kiss.) Are they.. any good?

Writing Samples: Text

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